Baroque, new vision

Experiment with contratenor, Mikheil Abramishvili   and  Georgian sinfonietta at Tbilisi  Baroque Festival. costumes were made to highlight gender fluidity and beauty of  baroque opera.

The transcendent interplay of artistic expression came to life through an audacious experiment featuring the contratenor virtuoso, Mikheil Abramishvili, and the resplendent Georgian Sinfonietta, captivating audiences at the esteemed Tbilisi Baroque Festival. In this transformative collaboration, the artists embarked on a profound exploration of gender fluidity and the exquisite allure that defines the essence of baroque opera.

Aesthetically intricate costumes, meticulously crafted to transcend conventional boundaries, adorned the performers, bestowing upon them an ethereal aura that echoed the multifaceted nature of gender identity. These sartorial masterpieces, far more than mere garments, served as embodiments of liberation, amplifying the fluidity that underlies the human experience. They functioned as artistic conduits, evoking a poignant dialogue between the opulence of baroque opera and the captivating spectrum of gender expression.

This immersive performance challenged traditional notions of beauty, defying societal constructs that confine artistic expression within predetermined boundaries. Through the harmonious union of Abramishvili’s remarkable vocal prowess and the symphonic brilliance of the Georgian Sinfonietta, a rich tapestry of sound and emotion enveloped the audience, transcending time and space.

The transformative power of this collaboration extended far beyond the confines of the stage, beckoning viewers to question societal norms and embrace the profound beauty that emerges from embracing authenticity. It was a bold and audacious testament to the limitless potential of artistic expression, encouraging the audience to delve into the intricacies of identity and celebrate the kaleidoscope of human existence.

As the melodies of the baroque era resonated through the hallowed halls, the artists transported the audience to a realm where conventionality faded, leaving room for introspection and enlightenment. The profound synthesis of music, fashion, and the exploration of gender fluidity unveiled a transformative narrative, inspiring contemplation on the boundless possibilities of self-expression.

In essence, this extraordinary experiment at the Tbilisi Baroque Festival served as a catalyst for dialogue, challenging societal norms and illuminating the profound interconnectedness of artistic disciplines. It celebrated the timeless beauty of baroque opera while imbuing it with a modern sensibility, inviting the audience to embrace the fluidity and diversity that define the human experience.